Ensign Ful-Vue
Picked up for 50 lei at the Negreni Fair, this 1946 British-made Ensign Ful-Vue is an incredibly simple 120 film box camera with a fixed aperture, single shutter speed and enormous waist-level viewfinder.
View gallery 7 photosFilm Cameras · Film type
Photos taken on Medium Format (120) film, and the cameras in my collection that use it.
Picked up for 50 lei at the Negreni Fair, this 1946 British-made Ensign Ful-Vue is an incredibly simple 120 film box camera with a fixed aperture, single shutter speed and enormous waist-level viewfinder.
View gallery 7 photosBought on impulse during a trip to Poland, the Noblex Pro 06/150 is my first panoramic camera, using a rotating lens to produce enormous 50x120mm panoramic images on 120 film.
View gallery 9 photosPurchased at the Negreni Fair in Romania, this Zeiss Ikon Ikonta 520/2 G is a folding 6×9 medium format camera introduced around 1930 and fitted with a Zeiss Dominar-Anastigmat 105mm f/4.5 lens.
View gallery 12 photosBought at Adorama in New York City, this Mamiya RB67 Pro-S is a fully mechanical 6x7 medium format SLR introduced in 1974
View gallery 43 photosSeagull 4A twin-lens reflex camera shooting 120 film in 6×6 format, featuring a 75mm f/3.5 lens, leaf shutter, fully mechanical design, and classic medium format rendering.
View gallery 19 photosThe Rolleicord I Model 2 is a 1930s twin-lens reflex, simpler than a Rolleiflex, yet capable of beautiful 6×6 medium-format images.
View gallery 19 photosA modular medium format press camera, the Mamiya Universal delivers huge 6×9 negatives, but its workflow demands care, patience, and a bit of practice to master.
View gallery 37 photosPentacon Six TL medium format SLR with Carl Zeiss lenses. First one had major issues, second copy works flawlessly. A classic East German camera worth owning.
View gallery 70 photosVoigtländer Bessa folding camera with Skopar lens and Compur shutter. A 1930s medium format classic that still delivers sharp, reliable results on 120 film.
View gallery 45 photosI picked up this Meopta Flexaret IVa at a market in Negreni that runs a few times a year. I stumbled across this twin-lens reflex camera and was immediately drawn to its character. I had no idea if it worked or what to…
View gallery 36 photosThe Certo Certina, a 1966 East German camera, was once shelf decor—now a charming, no-frills introduction to film photography’s humble, functional roots.
View gallery 6 photosA quirky little bakelite beauty from 1937! Runs on 620 film—solved with a nail clipper and some determination. Just two apertures (ƒ/11, ƒ/16) and three speeds (100, 25, Bulb), yet it delivers surprisingly solid…
View gallery 7 photosA no-frills 1930s folding camera, likely sold in pharmacies and built for simplicity. ƒ/6.3, 1/100s max—surprisingly capable for 6×9 shots. Nearly a century old, still working great, and the bellows are intact. A…
View gallery 7 photosMy first folding camera—needed some TLC to get going: freed the focus, re-calibrated, patched the bellows. Now it’s a reliable, rewarding shooter.
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