In 2024, I was introduced to Film Photography by a friend. I always though that this was going to be difficult to get into, due to the fact that film would be hard to find and then even harder to develop and have scanned. Turns out, I was wrong… the rest, like most of the cameras in this collection, is history.
A no-frills 1930s folding camera, likely sold in pharmacies and built for simplicity. ƒ/6.3, 1/100s max—surprisingly capable for 6×9 shots. Nearly a century old, still working great, and the bellows are intact. A charming, oversized gem in the collection.
I picked up this camera partly for its elegant 1960s design—and honestly, because I loved the Voigtländer font. Simple, clean, and beautifully preserved.
This solid little SLR from 1978 is a joy to shoot. M42 mount means tons of lens options, and the battery-powered meter still works perfectly.
The legendary Nikon F4—tactile, rugged, and pure muscle memory for anyone who’s shot Nikon. This 1988 beast feels like the blueprint for all modern Nikon bodies. It’s my only camera with a vertical grip, and the Type P screen with microprism focus assist makes manual lenses a dream to use. A true pro classic.
The incredible Minolta AF 9000—my favorite blend of digital and analog design. Developed alongside the 7000, but released later for the pro market.
My first point-and-shoot—an iconic 80s Japanese model with smart autofocus and distance icons. Surprisingly advanced for its time and still impressively capable.
The Minolta AF 7000 was my first autofocus film camera—and one of the world’s first. Iconic 80s design, ahead of its time, and still going strong.
A classic Soviet-era camera—quirky but rewarding. With its unreliable selenium meter, it demands patience, but paired with the Helios 44-2, it shines.
The Certo Certina, a 1966 East German camera, was once shelf decor—now a charming, no-frills introduction to film photography’s humble, functional roots.
My first folding camera—needed some TLC to get going: freed the focus, re-calibrated, patched the bellows. Now it’s a reliable, rewarding shooter.
I grabbed the Altissa Altix-n for its looks and great condition and came with a Carl Zeiss-Jena lens. Its quirky controls, unique viewfinder, and solid build make it a surprisingly fun little camera to shoot with.
A quirky little bakelite beauty from 1937! Runs on 620 film—solved with a nail clipper and some determination. Just two apertures (ƒ/11, ƒ/16) and three speeds (100, 25, Bulb), yet it delivers surprisingly solid results. No focus ring, no marked focal length—just pure, stripped-down vintage charm.
My first Yashica, and a joy to use. Based on Minolta’s AF line but stripped down—making it refreshingly straightforward. Fast, accurate, and pure 80s charm.
The Seagull DF, a Chinese Minolta SR-T 101 clone, was my first film camera—fully manual, meterless, and a beautifully simple way to learn photography.
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